Monday, December 23, 2013

CHRISTMAS SONG



 A manger bed at night in Bethlehem
The time and place for God and man to meet
An infant cry greets trembling outstretched hand
While swaddling clothes keep warm those tiny feet

The stillness of the night erupts in love
The kind of love that comes through pain of birth
A star surveys the scene from high above
While angels sing a song of peace on Earth

The Word of God within a cradle lies
Enthroned in arms of human flesh so mild
Attendant shepherds can’t believe their eyes
The hope of countless ages is a child


~ Dale Petley 1987, Richmond Corner, N.B.

Thursday, December 12, 2013

ADVENT


It is a genuine shame that the first four weeks of the Church calendar are overlooked each year in our annual gadarene rush to celebrate the Holiday Season. I suppose, given the traditional Advent themes of death, judgment, heaven, and hell, it is not hard to see why people would rather focus on the light-hearted festivities of the yuletide. Besides, most places hold their Santa Claus parades shortly after Halloween just to get us consumers in a shopping mood. It is all rather sad and appalling, really, and I’ve come to understand why the Puritans banned Christmas celebrations altogether. I know … I know; humbug!
The Season of Advent speaks of judgment and the end of time. Jesus declared that before ‘the end of days’ great signs and wonders would appear on the earth characterized by massive upheaval and destruction virtually impossible not to notice. On the other hand, Jesus also said that the end of time would be like the days of Noah, before he entered the Ark, when people were “eating and drinking, marrying and giving in marriage.” Just as people in Noah’s day didn’t notice the flood coming, so likewise the end of time shall happen suddenly and seemingly without warning when we least expect it. So which is it? Is Judgment Day ushered in with cataclysmic, ‘can’t miss’ warning signs or does it occur all of a sudden while we are going about our lives like it’s business as usual? Surely both things are true.
It seems to me we give ourselves too much credit when we assume that if there are obvious warning signs we will (1) notice them as such, and (2) respond accordingly. What is it about human history that would lead anyone to believe this? Don’t we tend to do just the opposite? Are we not in fact experts at ignoring the obvious? Doesn’t history teach us that we refuse to learn from history? It is a willed ignorance on our part. Having self-identified as temporary creatures with an impending sell-by date we want our shot at life, our piece of the pie; our chance to shine. Desire blinds us to the lessons of the past and in our hubris we think things will be different this time, with us. We stubbornly refuse to learn from our mistakes; we callously ignore the plaintive cries of poisoned earth; and when it comes to the economy, we’re always partying like it’s 1928. We are the all-time heavyweight champions when it comes to missing the point. You see, the problem with warning signs is that you have to be awake to see them. Advent is about waking up.
If you go to a bookstore today and ask where they keep the volumes on spiritual awakening and enlightenment, chances are you’re going to end up in the Eastern Religions section, or in an area labeled New Age. While I’m happy that lots of people are interested in such matters I also remember a time when these terms were part of the common Christian vocabulary. After all, ‘Mindfulness’ and ‘Present Moment Awareness’ used to be understood as essential components  in Christian spiritual discipline back when there really was such a thing and we were interested in more than commiserating over our precious causes and cherished grievances. ‘Sleepers Awake’ is the theme of Advent, as Bach so beautifully knew.
In Advent we have the shortest day of the year, with the least light, followed by a gradual increase in illumination with each successive day. Advent is about the coming of the light in which we awaken, and when we awaken, we notice the signs. As T. S. Eliot wrote, “we arrive where we started and know the place for the first time.” We desire to wake up to something unique and spectacular but the truth is better than that. The good news is that we awaken to what is always, already here … as it was in the beginning, is now, and ever shall be.

Wednesday, November 27, 2013

THANKFUL FOR POETS


DIVINE EPIGRAMS (Richard Crashaw)

On the Miracle of multiplied Loaves.
SEE here an easy feast that knows no wound,
 That under hunger's teeth will needs be found :
A subtle harvest of unbounded bread.
What would ye more ?   Here food itself is fed.


To our Lord, upon the Water made Wine.
THOU water turn'st to wine, fair friend of life ;
 Thy foe, to cross the sweet arts of Thy reign,
Distils from thence the tears of wrath and strife,
 And so turns wine to water back again.

HEAVEN (George Herbert)

O who will show me those delights on high?
                            Echo.         I.
Thou Echo, thou art mortall, all men know.
                            Echo.         No.
Wert thou not born among the trees and leaves?
                            Echo.         Leaves.
And are there any leaves, that still abide?
                            Echo.         Bide.
What leaves are they? impart the matter wholly.
                            Echo.         Holy.
Are holy leaves the Echo then of blisse?
                            Echo.         Yes.
Then tell me, what is that supreme delight?
                            Echo.         Light.
Light to the minde : what shall the will enjoy?
                            Echo.         Joy.
But are there cares and businesse with the pleasure?
                            Echo.         Leisure.
Light, joy, and leisure ; but shall they persever?
                            Echo.         Ever.


Through his essay, The Metaphysical Poets (1921), T. S. Eliot proved to be hugely influential in re-introducing the world to the 17th Century works of George Herbert, John Donne, Andrew Marvell, Richard Crashaw, and Henry Vaughn, among others. He writes of their having obtained “a fusion of thought and feeling” which we have largely lost in our world marked by what he calls a “dissociation of sensibility.”
When a poet's mind is perfectly equipped for its work, it is constantly amalgamating disparate experience; the ordinary man's experience is chaotic, irregular, fragmentary. The latter falls in love, or reads Spinoza, and these two experiences have nothing to do with each other, or with the noise of the typewriter or the smell of cooking; in the mind of the poet these experiences are always forming new wholes.
He comments further …
The poets in question have, like other poets, various faults. But they were, at best, engaged in the task of trying to find the verbal equivalent for states of mind and feeling. And this means both that they are more mature, and that they wear better, than later poets of certainly not less literary ability.

The “amalgamating of disparate experience” to which Eliot refers and the “states of mind and feeling” for which ‘verbal equivalents’ must be found would have seemed neither strange nor impossibly esoteric  to the contemplative mind of early and medieval Christianity. The Metaphysical Poets and their fellow writers and dramatists were the inheritors of a great spiritual tradition which we continue to enjoy in our ancient prayers and liturgies. 
When we picture ‘a contemplative’ we imagine someone with his head in the clouds, unaware of his surroundings, taking no notice of the people near him, lost in his thoughts. However, this image is not an accurate portrayal of the contemplative life but is actually just a more intense version of the state we find ourselves in most of the time. We spend a good deal of our day lost in thought, mentally preoccupied, our body in one place and our mind in another. We rely heavily on repetition to establish routines and patterns so that as much as possible we can live life without having to be present for it.
Contemplative prayer as it was practiced in the Christian tradition in apostolic times and throughout the Middle Ages led to the reverse of what is described above. The spiritual exercises and contemplative disciplines of the church emphasized the taking up of the cross as a death unto self, and encouraged the faithful towards a diminishment of egocentrism and a lessening of self-centeredness which led them in turn to a far greater awareness not only of the truth of their inner lives but also of the world in which they lived. Being spared a little of the self-absorption narcissism craves, the contemplative became more fully conscious and far more appreciative of the greatness and beauty of creation. All of life was precious to one who felt God’s love in every blade of grass and saw eternity in a grain of sand. Not only did the contemplative notice those around him -- he sensed with great intensity the heaviness of their burdens just as he shed tears of joy over each of their blessings. Nurtured by stillness and centered in the silence of his deepest nature, the world was much more vivid and real to the contemplative precisely because he was not lost in his thoughts. Instead, he was wide awake to the beauty he saw in every nook and cranny of a created order ‘charged with the grandeur of God.’

Saturday, November 16, 2013

THE COMMUNION OF SAINTS


The Synoptic Gospels are unanimous in declaring that a delegation of Sadducees approached Jesus with a question about a woman who had been married and widowed seven times.(1) Their question was ‘ridiculous’ in the sense that it was intended to ‘ridicule’ belief in the resurrection held by the rival Pharisees. He was asked whose wife this woman would be following the resurrection. Seven men were married to her in the course of her life and the Sadducees wanted to know to whom she would belong in the life to come. The answer given by Jesus speaks of Heaven, and because the spiritual reality of Heaven is considered our ultimate reality, it is what is most true and real about us. But what can we know of Heaven, and how should we speak of it? What does the Christian faith teach?
We who tend to view the world as an arrangement of separate objects, and picture things in images, imagine Heaven simply as an elaboration of life as we know it now, and so we see it as a defined space located somewhere; a future place of material blessing. The response of Jesus to the Sadducees is to say that resurrection is real but not in the way that they imagine. He says that in resurrection we are as the angels, “neither marrying nor being given in marriage,” and are united in a spiritual communion and fellowship which is the deepest marriage of all. Jesus speaks of Heaven as a Kingdom of Spirit in which the widow-woman in question does not ‘belong’ to anybody because as a spiritual being she is not an object to be possessed. In speaking of Heaven as a spiritual kingdom Jesus presents an understanding similar to that of St. Paul who taught that as we have a natural body in this life, we shall also have a spiritual body appropriate to our resurrection. (2) He says that the former is to the latter as a seed is to a tree. What is essential and intrinsic is not lost in resurrection but is transformed in perfection and completeness.
St. Paul writes of what he calls “the fruit of the Spirit.” (3) He mentions ‘love,’ ‘joy,’ ‘peace,’ ‘endurance,’ ‘kindness,’ ‘goodness,’ ‘faithfulness,’ ‘meekness,’ and ‘temperance.’ In order to understand the nature of our ‘spiritual body’ and what Christians mean by resurrection we should consider the qualities of Spirit.
 “God is love,” proclaims St. John, “and whoever lives in love lives in God, and God in him.”(4) The Torah declares that God created human beings in his “own image and likeness” and then brought us to life by breathing his own Spirit into us and thus animating us. (5)  Moreover, the Catholic Creeds speak of eternal life as a ‘communion of saints’ (sanctorum communionem), an eternal fellowship transcending friendship and family while losing nothing that is good and true about them. This is the unity of Spirit in which there is union and communion, fusion without confusion, relation without separation, and distinction without division.
Given the materialist mindset of our time it is not surprising that we speak of love in terms of ‘relationships.’ The language of relationships is the language of physics in which objects in space are seen in relation to each another. Neither is it surprising in such a society where our differences are emphasized and our divisions magnified for political purposes that there should be epidemic levels of violence, bullying, and callous behavior. While our attempts to redress these failings correctly stress human rights and individual dignity, it seems to me we need to begin with the even more fundamental realization of our spiritual union and oneness. Without this understanding you simply cannot know what it means to love your neighbor ‘as’ yourself. This unity consciousness is not just wishful thinking. It isn’t some special insight to be arrived at eventually over time; it is the vision which begins our journey. Our end is in our beginning. “Home is where one starts from.”(6)
‘Joy’ is love knowing itself. It properly belongs to us as spiritual creatures. It isn’t a thing we earn; it is what we are. It isn’t derived from anything or anyone but is what we bring to people and events. ‘Peace’ is eternal. We’ve forgotten that. We’ve forgotten a lot. Peace isn’t merely the absence of conflict; it is perfect stillness - rest and motion reconciled by love. It is the perfection of completeness. It is not something static; it is forever young and always new.   
Finally, when we see ourselves merely as separate, individual bodies we tend to operate out of a sense of lack, but to realize our spiritual nature is to be moved by abundance. Anyone who loves knows that the joy of love is in giving. Having someone love us isn’t as thrilling if it isn’t reciprocated by us in the same way. Instead, we know that the real joy of love is found in offering it; in giving. Love is always for giving; it is boundless, profuse, ample, and overflowing. It is the eternal life of Spirit.

 1: Matthew 22:23-33, Mark 12:18-27, and Luke 20:27-40
2:  I Corinthians 15
3: Galatians 5
4:  1 John 4:16
5:  Genesis 1:26-27; 2:7
6:  T. S. Eliot, Four Quartets, (East Coker)

Thursday, November 7, 2013

WAKENED BY KINDNESS


I was never required to write an essay for school about how I spent my summer vacation and I don’t think I’ll do that here. Besides, my holiday occurred from the middle of September to mid-October, and that hardly feels like summer even here in Oklahoma. In a nutshell, I visited my brother and his family in Ontario where I got to see a number of old friends. I then headed for New Brunswick to visit with my sister and her family in Moncton where I enjoyed:
~ quietly watching the sunrise and the sunset
~ going for a walk each morning and each afternoon
~ site-seeing in Saint-Louis de Kent, Richibucto, Bouctouche, and Sainte-Marie-de-Kent
~ seeing the Petitcodiac River from Beaumont
~ doing the dishes and then going for a walk around Victoria Park after supper
~ visiting the Farmers’ Market in Dieppe on Saturday and having a poutine râpée for breakfast
~ visiting the Farmers Market in Moncton on Saturday and having fish cakes for breakfast
~ going to Mass on Saturday afternoon with my niece
~ having dinner with old friends at my favorite restaurant, The House of Lam
~ writing two new songs (both of which mention molasses)
~ eating pork cretons with my great-nephew
~ attending early morning Holy Communion on Sunday at the Anglican Church of my youth and hearing a great homily from one of the finest priests I know
~ watching surfers ride the Tidal Bore
~ going for coffee at my favorite pizza café (Harry’s)
~ eating fish and chips with my godson who had been reading Plotinus earlier that day
~ eating my sister’s boiled dinner (pot roast)
As I mentioned, my holidays began in Ontario. I was there to attend a Memorial Service for a dear friend. I called her my godmother.
One Sunday morning when I was a teenager I was walking home from church when a doctor and his wife who were fellow parishioners asked me if they could give me a drive. (They literally came to me in “a sunbeam” – a Chrysler Sunbeam to be exact, the first car they owned as a married couple.) I discovered that they lived just around the corner and we quickly became the best of friends. They were mentors to me. I came to think of them as godparents, and I still do. They inspired me in every meaningful way one can imagine and I simply would not have pursued higher education without their influence and moral encouragement. Their great charity, patience, and hospitality revealed to all who knew them the deepest qualities of Spirit. The best way I can express the influence these wonderful people had on me is to quote an old hymn by Fannie Crosby.
Down in the human heart, crushed by the tempter,
Feelings lie buried that grace can restore;
Touched by a loving heart, wakened by kindness,
Chords that were broken will vibrate once more.
 In their company by God’s grace I was “wakened by kindness,” and I am thankful.

Sunday, September 8, 2013

LAND OF THE LUPIN


The road before me leads to a place
Where there are people that I love
They’ll be surprised when they see my face
It’s all one blessing from above

I took my journey far from her side
To make my living and to roam
But I found feelings I could not hide
I love my old New Brunswick home

(Land of the lupin where the field meets the sea
Pretty as a picture or a poem
Her rolling valleys, her mountains green
I love my old New Brunswick home)

We all went fishing back in the spring
We picked some fiddle heads and then
We had great meal fit for a king
I’m glad my brother is my friend

We’ll get some lobsters down by the bay
And have a party at the shore
With lots of music someone will play
We’ll sing and dance and then we’ll sing some more

(Land of the lupin where the field meets the sea
Pretty as a picture or a poem
Her rolling valleys, her mountains green
I love my old New Brunswick home)

I love her beaches and bright, clean water
The icy winters in the snow
I’ll give my Mother the gift I brought her
And see the warmest smile I know

I love her forests and I love her woodlands
I love the colors in the fall
I’ll see my father and shake his strong hand
I love my family one and all

(Land of the lupin where the field meets the sea
Pretty as a picture or a poem
Her rolling valleys, her mountains green
I love my old New Brunswick home)


© 1994 Dale Petley (Petitcodiac)

Wednesday, September 4, 2013

TOMORROW IS ANOTHER DAY


This one is for John ... from Cincinnati

TOMORROW IS ANOTHER DAY

You wake up alone and you’re sore to the bone
As thoughts start to swirl in your head
A smell hits your nose which can only disclose
That the cat has thrown up in your bed
Then it’s downhill from there and you think in despair
Life’s game is just too hard to play
Keep one thing in mind and you surely will find that
Tomorrow is another day

Your doctor says “My, your blood pressure is high
Bend over, this won’t hurt a bit”
And the pills he prescribes just mess up your insides
And make you feel like flat hammered spit
When you get back to work and your boss is a jerk
And tells you there’s no raise in pay
Bad news may abound but there’s one thing we’ve found
Tomorrow is another day

Your ex-wife calls you when some check’s overdue
She still gets you like no one else can
And the hot girl next door makes your jaw hit the floor
But you find out she’s really a man
Well don’t drink and don’t drive, we want you alive
Though we can’t think of one thing to say but
Don’t give up on love or on Heaven above and
Tomorrow is another day

When you jump for the ball and your chin breaks your fall
You don’t feel quite as young as before
When you injure your ass at your self-defense class
Just pick yourself up off the floor
We get older in time but we’re doing just fine
When our spirit’s still willing to pray
So stay in the game and keep tending the flame
Tomorrow is another day

© 2010 Dale Petley (Oklahoma City)

Thursday, August 29, 2013

SAINT JOHN RIVER


When I decided to start this blog I knew that I wouldn’t be able to spend much time maintaining it and contributing to it. In fact I disabled the ability for readers to leave comments because that would be something I’d feel the need to check daily, and let’s face it, that’s simply not going to happen. Years ago I was a regular contributor to an internet message board connected with a television show and I communicated with some of the nicest, funniest, and smartest people one could ever wish to “meet” but eventually decided that while cyberspace has its advantages it really isn’t for me. And so, by the time social media caught on in a big way among my relatives and friends I was already beginning to drop out. Nowadays I use the computer at my office but do not have one at home. My cell phone is just a phone. I don’t ‘tweet’ or chat online; don’t belong to any ‘virtual’ world, and cannot be bothered to use ‘the google’ to find out what in the heck they mean by a ‘hashtag.’ I’m not opposed to technology and I know that all those zeros and ones have their place; it’s just that I’ve been moving in another direction.

From time to time I intend to write about matters of importance to me (Soteria, Part 2 is on the way), or else I might just reminisce about my hometown.  Mostly though, this blog is a way to share the songs I’ve written over the years. My intention is to record these songs so that readers can hear them (See? I’m not a total Luddite.), by clicking a link to 'the facetube'  . . . or whatever.   

In 1994/95 I composed an album of songs in honor of New Brunswick. It was called Land of the Lupin. A number of those lyrics have been posted here. I have decided to compile a new collection of original songs. I’m going to call it ‘Life by Rivers.’ The last two songs posted here (August 16 and 18) are going to be a part of it. Here’s another one.



SAINT JOHN RIVER

Old river keep on rolling
I’ve lived beside you each and every day
An ever changing permanent reminder
That the current carries everything away

I’ve always lived beside this ancient river
It’s where my father built our family home
It’s where I grew the memories of my childhood
With the river near I never feel alone

 Roll on, old river, keep on rolling
Roll on, Saint John River every day
An ever changing permanent reminder
That the current carries everything away

Our school house once sat next to the river
It’s gone now and replaced by something new
But I recall those days back in the Third Grade
That was the very first time I met you

Roll on, old river, keep on rolling
Roll on, Saint John River every day
An ever changing permanent reminder
That the current carries everything away

I love to watch the sunlight on the river
I love the way the rain looks on your skin
I love the way your eyes shine when you’re laughing
And how the water feels when we jump in

Roll on, old river, keep on rolling
Roll on, Saint John River every day
An ever changing permanent reminder
That the current carries everything away
 
© 2013 Dale Petley (Oklahoma City)

Sunday, August 18, 2013

THIS RIVER TOWN


Here's another new one.


THIS RIVER TOWN

There is something that I see in everybody from a distance
That reminds me just a little bit of you
It isn’t what they’re wearing or the stuff that they have with them
Or even in the things they say or do
It’s more of an impression, or perhaps it’s something deeper
Or it could just be you’re always on my mind
It’s true that I’ve been thinking of you every waking hour
Since the day you left this river town behind.

You were headed for New York as I recall or maybe Dallas
At the time it seemed your plans were rather vague
You said something about Europe and about the need to travel
It was right around the time I broke my leg
So I spent the winter drinking and re-reading all your postcards
And I knew that I had my own path to find
But there’s never been a day I didn’t wish that you were with me
Since the day you left this river town behind

Well I lived in a big city for a while and really liked it
But I always knew I’d head for home some day
I knew that I’d return to hear the music of the river
And let her rapids carry me away
And I hope that you know happiness wherever you are living
And found whatever you needed to find
Or maybe you’ve been moving on just like the running water
Since the day you left this river town behind


© 2013 Dale Petley (Oklahoma City)

Friday, August 16, 2013

MY MOTHER’S FIDDLE


Here's a new one.


MY MOTHER’S FIDDLE


I have lived my life by rivers and there’s one thing that I know
Nothing lasts forever; time like a river flows
There are things you keep beside you as gifts of love and grace
Like my Mother’s fiddle and its plain old wooden case

Chorus:

Nothing lasts forever but love will never die
Some things you keep beside you while the whole world passes by
The things that bring a smile to everybody’s face
Like my Mother’s fiddle and its plain old wooden case


My mother’s dear Aunt Ida left that fiddle with her love
And now she plays The St. Anne’s Reel in her home up above
She might play a waltz or two or else something upbeat
Ward Allen’s ‘Maple Sugar’ never sounded quite so sweet

Chorus:

I drove to Nova Scotia and saw a piper playing proud
Greeting all the tourists; a friendly, happy crowd
When folks come near to visit, you know what should appear
A fiddler at the border saying “you’re all welcome here.”

Chorus:


© 2013 Dale Petley (Oklahoma City)

Saturday, August 3, 2013

MOMMY MARRIED DADDY


I wrote these lyrics on the back of an envelope while on an airplane going to California to visit my Mother’s first cousin who is one of the most remarkable people I know.  It was during a one hour layover in Las Vegas that this song occurred to me.

(MOMMY MARRIED DADDY)

At Sunday school our preacher asked the children
“Do you know about the day your parents wed?”
A little hand went up, the preacher smiled
And we both said a prayer
As this is what our only child said

 (Chorus)

Mommy married Daddy in Las Vegas
In a chapel owned by someone called ‘The King’
To the sound of ‘Love Me Tender’
They stood up and said ‘I do’
Then they listened to that Elvis Preacher sing

Daddy first met Mommy in Las Vegas
He drove there for the weekend in his car
There was this little place where
He would have himself a drink
And watch Mommy as she danced up on the bar

(Chorus)

When Mommy first met Daddy in Las Vegas
Love made her just as bold as she could be
She walked up to his table
When her dancing act was done
And said: “Sailor would you like some company?”

When Daddy first met Mommy in Las Vegas
He was bashful in his younger days, I think
But Mommy broke the ice
When she little up a cigarette
And said: “Won’t you buy a working girl a drink?”

(Chorus)

When Daddy married Mommy in Las Vegas
They decided then and there to move away
They packed the car that night
And did not wait to say goodbye
And I was born just six months later to the day

Well, our preacher smiled, and you could hear a pin drop
He thanked our boy for telling what he knew
When our son said: “Wait, there’s more
I know other stories too
The preacher said: “No, little Elvis, that’ll do.”

(Chorus)

© 2000 Dale Petley (Los Angeles)

Sunday, July 28, 2013

SOTERIA


(Part One)

Now there arose a new King over Egypt, which knew not Joseph. (Exodus 1:8)

As strange as it sounds most revolutions start because we don’t like change. It may seem funny and oxymoronic to protest in favor of keeping everything the same (“What do we want?” “Status Quo!” “When do we want it?” “Now!”), but when shopkeepers take to the streets it’s usually because change has been experienced as painful. We dislike change because we prefer the comforting continuity of repetition and its illusion of permanence, and some changes shake us to the core and leave cracks the light shines through revealing our fear, unease, and discontent, and we know we cannot carry on the way we are. We come to the end of our rope and can no longer cope. Our days and nights have been made bitter with hard bondage. We realize our life has become unmanageable.
I have never won an argument with reality. I’ve picked fights with reality but failed to win a single round and always felt sad afterwards. Accepting reality doesn’t mean allowing cruelty and injustice to continue unchallenged but it does require that we admit the truth about the way things are in the present moment. What is so hard about that? Well, nothing really except that we prefer our own version of the truth to the real thing, especially the version in which we are still in control and able to handle our own business in our own way. In this preferred reality we believe we can return to the way life used to be, only better, because things are going to be different this time. When this doesn’t work we blame others for being unhelpful, hyper-critical, controlling, overbearing, and otherwise failing to support us and our internalized anger is directed outward, aimed at the very people who love us and want to help us but don’t know how.  Rather than admitting we are powerless we insist we can manage if we just get a little help, take the right pill, find the right job, and meet the right person. We still think we can do something to fix ourselves not yet realizing that the ‘us’ who seeks to save the day is the problem. Speaking metaphorically, we believe there is no need of handing over life’s car keys because we’re okay to drive. This version of reality fails to include real surrender.
Ego fearfully crouches at the door of consciousness upon the first hint of surrender. As a primitive survival mechanism the ego endeavors to keep us safe by establishing control through the passive and aggressive manipulation of our environment. It greets the unfolding of life not with a loving spirit of joyful wonder but as a frightened, anxious entity; some body alone in a hostile world of endless dualities either for or against us. To our ego surrender equals death. It means well enough on its own terms. It is, after all, trying to protect us, but it has no idea who or what we really are. Its version of us is like a quilt made up of various patterns. It did not create the patterns. The ego isn’t creative because that isn’t its function. Protecting us is its function and one of the chief ways it does this is by noticing patterns. It constructs its version of ‘us’ from these patterns. This version of us cannot surrender because it isn’t real; we must simply let go of it and put it away as we do with childish things.
Sometimes events occur which we find so devastating our self-image is shattered. It is like being beheaded from our own life and from everything that we once allowed to define us. When the image of ourselves we cannot live without is destroyed so that not one stone is left upon another, we discover in the midst of our pain that images shatter because they’re imaginary, fragile and fleeting, requiring our flesh and blood to sustain them and give them the appearance of life. And we know something else as well. We know we are not that image. There is a self which is conscious of that image but cannot be reduced to it. This self abides in the depths of awareness. It is here that surrender is possible; only here and now. We will not surrender, though, as long as we think we can escape. We will never admit we are powerless as long as we believe we can go back to the way things were while remaining in control this time. Admitting we are powerless means admitting we have no control. Without power we cannot go backward or get ahead. The past has thrust us out into this moment but still pursues us and threatens to catch up with us. The future appears as an impassible barrier, a turbulent sea threatening to drown any hope of moving forward. What is required of the powerless is not an act of will but simple recognition, knowing the truth at a level where the image we’ve struggled to maintain is left behind the way shoes are discarded before standing on holy ground. In accepting the present moment in consent we surrender to a power higher than the level of ego.
 In ancient Greece sailors returning from a perilous voyage or soldiers grateful to be alive following a battle would offer a sacrifice to Soteria, the goddess to whom one prays for safety from danger. The writers of the Christian Gospels used the word ‘soteria’ to indicate salvation, rescue and recovery from harm and oppression. ‘Soteriology’ is the study of deliverance.
April is the cruelest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain
(‘The Waste Land,’ T.S. Eliot)
Living free of bondage is to walk in newness of life and so liberation is always a springtime affair, exhilarating and frightening, as all that was cozily and hazily familiar is experienced soberly and sanely in our rightful mind. It’s as if we know the place for the first time. This path of liberation is always a narrow way because it is lived only in the present. It is therefore not all that helpful to encourage someone in recovery to focus on the future. The ego lives in the past and the future, the latter being a projection of the former. Ego views the future through a lens of scarcity as a cruel place of breeding, mixing, and stirring desire. When you’re living in recovery the problem with the future is it holds too many memories.
Living free in newness of life beyond bondage does not require that we accumulate new knowledge, memorize facts, or read any book of any kind. Mostly it involves ‘unlearning’ our programming and our ego-driven ways of responding to life. As Socrates points out to Alcibiades, mistakes in life and practice are “to be attributed to the ignorance which has the conceit of knowledge.” It is not simple ignorance which perplexes us for we can always learn what we need to learn or else entrust what we don’t know to experts. Our perplexity is that of those “who do not know and think they know.” (Plato, Alcibiades 1, Benjamin Jowett) We think we know how to live free. We think we know how life works. On the other hand, being taken over by a tyrant and turned into a slave in a land of bondage has a way of showing us the limits of our supposed knowledge and self-reliance.
Children in Kindergarten are taught to hold hands while crossing the street. Lovers of wisdom have always understood that we are social beings and so liberation means a call to a new kind of fellowship. We belong together, and we best express our happiness when we support each another in the fullness and newness of life.

Sunday, July 14, 2013

YEARNING TO BREATHE FREE


YEARNING TO BREATHE FREE

You can see it in their eyes even when they turn away
You can see it in the hands that toil night and day
You can see it in their faces if they really look at you
It’s even in their walk; you know what they want to do
Yearning to breathe free

When you leave your world behind; another land, a distant shore
Do jobs that others won’t and never ask for more
Struggle on to make ends meet in a dicey part of town
And get treated just like dirt but still keep coming round
Yearning to breathe free

Start up a family business, stay open all the time
Save every hard earned penny and never waste a dime
Make sure the children study; check every report card
No time for drugs and trouble, just working really hard
Yearning to breathe free

Work all day and half the night and never once complain
They make it seem like living here is worth a lot of pain
Freedom is a flower, sacrifice the stem
Nowadays we don’t believe that we were once like them
Yearning to breathe free


***   

© 1994 Dale Petley (Abbaye Notre-Dame du Calvaire, Rogersville)

Wednesday, July 3, 2013

SILVER CHAINS


I wrote this in Montreal for Jeremy. He went out on a very cold day to get new nylon strings for our friend Caroline’s folk-style guitar. As I was completing the tuning I kept repeating a chord progression which eventually became the bridge between the verses. It’s funny how songs get written.

SILVER CHAINS

City Streets that lead nowhere
A neon field of dreams
Behold the corridors of power
Where nothing is what it seems
Power Couples on full display
Wearing all the well known names
Paradise for the old at heart
Wrapped in silver chains

Clubs that beckon like sirens
Calling travelers inside
Carnivals for the lonely
They’ll take your soul for a ride
How can women so beautiful
Have eyes that are so far away?
All our affairs and relationships
Wrapped in silver chains

I’m living here on a shoe-string
Don’t eat and I’ll probably get by
Adrift in an ocean of lovers
When I feel better maybe I’ll cry
That glowing cross on the mountain
Looks over this city of pain
And points to one who with mighty love
Breaks these silver chains

© 1994 Dale Petley (Montreal)

Tuesday, June 25, 2013

OUR JIMMIE RODGERS


OUR JIMMIE RODGERS


Play some Country Music if you play that thing at all
Let’s hear the Carter Family and the Wabash Cannonball
Before there was Rock Music, long before your Blue Suede Shoes
We had our Jimmie Rodgers and his mule skinner blues

Go on up to Woodstock, Old Home Week and the Fair
They love their Country Music; it’s playing everywhere
Hank Snow and Wilf Carter sing of life and love and pain
You can hear that yodeling brakeman still waiting for his train

Go on down to Cocagne, Bouctouche, or Cap-Pelé
They love to hear the fiddle and sing and dance all day
A common language spoken whether French or English born
Is a Jimmie Rodgers love song from a heart so sad and torn

Up in Jacket River and way down in Letang
They love to hear Hank Williams and everything he sang:
Your Cheating Heart, the Mansion on the Hill, and Lovesick Blues
Were written cause Old Jimmie paved the way and paid his dues

At the Legion Hall in Harcourt or a camp in Boishebert
You feel old Jimmie’s spirit when a guitar rings the air
It’s music pure and simple; it’s a love we will not lose
It’s Jimmie Rodgers singing his mule skinner blues

“Good Mornin’ Captain …”

© 1994 Dale Petley (Petitcodiac)

Thursday, June 20, 2013

A RIVER CALLED MIRAMICHI


I tried to write a traditional folk song about the Miramichi and this is what I came up with all those years ago. Although I play the guitar and sing the lyrics I post here I'm not really a musician and would rather hear my songs performed by those who are. I was delighted to learn that this song had been performed at the Miramichi Folk Festival and also has been sung by a children's choir there. Huzzah!

A RIVER CALLED MIRAMICHI

There’s a river whose waters are known everywhere
Men sing of her salmon and beauty so fair
She’s famous, yet hidden, a grand mystery
I sing of the river called Miramichi

I was born on her banks where I shed my first tear
In the time of Black Salmon, the Spring of the year
And I sang my first hymn on my Grandmother’s knee
Near the swift running waters of the Miramichi

Chorus
Let us sing of a river so wild and so free
She’s timeless, yet changing, she flows to the sea.
No place short of Heaven, where I’d rather be
Than the banks of the river called Miramichi

My father drove logs on the river with skill
As young as I was I remember it still
He went to the war so we’d always be free
He fought for his family and the Miramichi

As a boy I would swim in her waters so cool
When older, I guided the sports through the pools
And often the guides were just young lads like me
Revealing the secrets of the Miramichi

(Chorus)

Like many before me I moved far away
In search of adventure, employment and pay
But this place where I’m living is not home to me
I long for the banks of the Miramichi

Some struggle for power and silver and gold
Some think life can be bought and happiness sold
But anyone’s poor who’s unable to see
The beauty and splendors of the Miramichi

© 1994 Dale Petley (Petitcodiac)

Sunday, June 16, 2013

HAPPY FATHER’S DAY


"I haven't seen Iowans this excited since the night Frank Gotch and Strangler Lewis lay on a mat for three and a half hours without moving a muscle. Ooh! That was exciting!" (Mayor Shinn: The Music Man)
My father was a wrestling fan. I’m not talking about the ancient and revered sport which ought to be a beloved event at every Summer Olympics but am thinking instead of Professional Wrestling, of the flying mare, drop kick, and figure-four leg-lock variety practiced by someone who might wear a mask to the ring and hide a ‘foreign object’ in his trunks, hailing from parts unknown. Although he enjoyed watching hockey and boxing and would tell tales of Bobby Hull and Joe Louis, (the ‘Golden Jet’ and the ‘Brown Bomber’), Dad remained an avid wrestling fan throughout his life. It was a point of contact with us and I was grateful for it.
As a child I watched pro-wrestling on television but it was never as exciting as hearing Dad describe it, especially when he spoke of the exploits of such larger than life characters as Bull Curry, Gorgeous George, Cowboy Len Hughes, Killer Kowalski, and Man Mountain Dean. His all time favorite wrestler was Yukon Eric whose strength was legendary and whose matches with the aforementioned Kowalski were some of the most dramatic moments in all of human history, to hear Dad talk.
My first trip to a live wrestling show took place when I was 10 years old and drove with my father and a carload of uncles to Maple Leaf Gardens in Toronto. Whipper Billy Watson wrestled that night, and so did Tiger Jeet Singh, but the main event was Dick ‘The Bulldog’ Brower versus The Sheik. Had the Battle of Armageddon also occurred that evening it would have been a preliminary match early on in the card. As grand as all that was, though, for my money nothing ever quite matched the electric atmosphere and sheer thrill of it all found in Moncton, New Brunswick, on one of those magical nights when The Beast wrestled The Stomper. As Mayor Shinn would say, “Ooh! That was exciting!”
I’ve never been close to being in good enough shape or drunk enough to think I could be a professional wrestler. I’ve always been in awe of what they do. Not only does the body take a beating every time they perform, but their schedule with its constant travel and the countless times they’ve got to play hurt must all take a toll. The wrestling itself is something which relatively few people can do without incurring serious injury. Fewer still can wrestle well, and only a handful can do it in a way others will pay to see. They have to communicate, in character, with crowds in large arenas and with ‘invisible’ people through cameras in a studio. None of this is easy. Good writing helps. I recall how one guy used to say: “My opponent is a model wrestler; and if you look up ‘model’ in the dictionary you’ll see it’s an imitation of the real thing. I’m the real thing.” I always thought that was a good line but the funniest thing I ever heard in wrestling was during a taped local broadcast in the Maritime Provinces when one colorful combatant declared that he was going to win his match not only because he was more talented than his opponent but also because his opponent was ugly. “He’s ugly!” he exclaimed. “That man is so ugly he’s living proof of reincarnation. NOBODY gets that ugly in just one lifetime.”
By the time I was in High School I no longer really followed wrestling but endeavored to keep up to date with what was going on in that world so I could talk with Dad about it. He continued to watch the wrestling shows on TV where some drama was always unfolding and a good old-fashioned grudge match was just around the corner and coming to an arena near you, or later tonight … in this very ring.
Years ago I was reading about the actor Leslie Nielsen’s brother who had been Deputy Prime Minister of Canada and was a Member of Parliament representing the Yukon. He may have been the Honorable Erik Nielsen, PC, DFC, QC, LLB, but to Canadians he was known as ‘Yukon Erik.’ I smiled when I read that and knew Dad would smile too. Happy Fathers Day!

Saturday, June 8, 2013

FAMILY REUNION


In the twelfth grade at Moncton High School our wonderful English teacher introduced us to the poetry of Robert Frost. We were the better for it, and for having been her pupils. It seems everyone knows at least one line of a Robert Frost poem and will recite it if suitably inspired or properly provoked. “Good fences make good neighbors” is one such line from Mending Wall, and is often quoted as unquestioned truth even though the rest of the poem challenges the validity of the notion. (Why do they make good neighbors? Isn’t it where there are cows? But here there are no cows.) Then there’s The Death of the Hired Man, a dialogue poem in which the speakers, a husband and wife, discuss the nature of family. The husband famously declares:
“Home is the place where, when you have to go there,
They have to take you in.”

That’s the verse we love to quote, but we forget the wife’s reply:

“I should have called it
Something you somehow haven’t to deserve.”

He speaks of ‘home’ in terms of obligation while she knows it’s a matter of grace; “something you somehow haven’t to deserve.” That’s how I’ve come to see things. Not long ago it dawned on me that I’m grateful for the way life has unfolded. I wish I could make up for the suffering I’ve caused over the years, but other than that, I wouldn’t change a thing.
Most happy memories of my childhood revolve around the kitchen. I’ve just read Cooked, the new book by Michael Pollan. He writes of how cooking “implicates us in a whole web of social and ecological relationships: with plants and animals, with the soil, with farmers, with the microbes both inside and outside our bodies, and, of course, with the people our cooking nourishes and delights.” (Michael Pollan, Cooked, New York, 2013, p.18)  The book helped me see how fortunate we were that cooking played such an important role in the life of our family.
My favorite meals are my sister’s boiled dinner and anything my brother cooks outdoors on the grill. My father enjoyed cooking, especially after he retired. He would prepare from scratch a big pot of savory stew or soup which he always called ‘fricot.’ Dad knew only a few French words and ‘fricot’ was one of them, so he used it with aplomb. Not surprisingly, my mother did most of the heavy lifting in the culinary department, and she excelled at it just as she did at so many things. Her roast chicken dinners were the stuff of legend and her dressing, the best ever. Her cold slaw was a perennial favorite. She got the recipe from Daisy at the Blue Circle Restaurant on Main Street. She even learned to make her own versions of the ‘sweet and sour chicken’ and ‘garlic spareribs’ she served customers when she worked at The Golden Dragon Restaurant, also on Main. If you recall either of those fine Moncton establishments you’re old enough to remember when phones were for talking with people and worked. But I digress.  
 The kitchen also was where music was played and where we gathered for parties. The living room held more people, but we always gravitated to the kitchen. Both my brother and sister played the guitar. Sometimes there might be fiddle music or an accordion in the mix depending on which relatives showed up. Dad did not play a musical instrument but was an avid listener, and if we didn’t know the words to the Wilf Carter song he’d request (The Smoke Went up the Chimney Just the Same), anything by Hank Williams would do. When my mother played the guitar and sang I thought she sounded exactly like Miss Kitty Wells, but of course I was biased, and six.
When I was writing Family Reunion I discussed it with my mother whose suggestions are reflected in the finished product. I once heard my friend Kimberly sing this song so beautifully that I changed the lyrics to keep the alteration she made; which is how I got an Uncle Norman. Anyways…

FAMILY REUNION

The highway still follows the river below
It winds through the valley where apple trees grow
And though no one’s with me I don’t feel alone
‘Cause I know that I’m headed for home

I drive by the school yard where children still play
I pass by the church house where pilgrims still pray
I smile and I’m grateful that some things don’t change
As I turn down the old road for home

At a family reunion it’s so good to be
With brothers and sisters I’m happy to see
And all of these cousins I’m so glad to find
And blest be the old ties that bind

There’s Uncle Norman, he’s talking to Dad
Whose hard work provided all that we had
And there in the doorway with tears in her eyes
Is my mother, I knew I’d surprise

She runs out to greet me with arms open wide
I’m filled with emotions I don’t try to hide
It’s so good to be where my thoughts often roam
Like the song says, there’s no place like home

At a family reunion it’s so good to be
With brothers and sisters I’m happy to see
And all of these cousins I’m so glad to find
And blest be the old ties that bind

(Repeat)

Blest be the ties that bind.

© 1994 Dale Petley (Petitcodiac)

Monday, June 3, 2013

ANGELS WITH DIRTY FACES


This is for Kimberly.


ANGELS WITH DIRTY FACES

April Dawn is dancing to the music in her soul
Katie does a cartwheel that dissolves into a roll
Andrew is a cowboy, a soldier, and a spy
Jacob’s feeling homesick and is trying not to cry

Rhea works on painting the earth tones she enjoys
Michael holds the marbles won from the other boys
Lisa is an actress who is destined for the stage
She does her ‘Norma Desmond’ imitation in a rage

Chorus:

Angels with dirty faces
Eager minds, eyes open wide
The world within them so much greater
Than the things you find outside

Jill the fashion model tries on a paper hat
Danny dreams of baseball as he chokes up on the bat
Chrystal doesn’t feel well, she pouts and sits alone
Tommy tries to call her on a plastic telephone

Ryan has a tantrum when he’s not allowed to run
Clare is into crayons and works on a purple sun
Teacher says it’s naptime; she does so much more than cope
Her kindergarten classroom is a our nursery of hope

Angels with dirty faces
Eager minds, eyes open wide
The world within them so much greater
Than the things you find outside

Repeat chorus

© 1994 Dale Petley (Saint John)